The photogram when taken outside of its conceived environment the darkroom and employed creatively within nature becomes a physical object which holds a magical materiality. The work of Susan Derges alongside others demonstrates how light sensitive paper which is usually sourced at the end of an analog process can be applied at the start. Using the cover of darkness to reduce and avoid fogging the paper, the process involves placing darkroom paper within an environment and using flash or natural light to expose the paper. The direct relationship between the print and environment is then seen once it is developed in the form of shapes on the paper.
|
Navigation:Use the categories to filter between Artist research collectively or individually, process related research or my theoretical ideas and books which have support and inspired.. Categories
All
|