Darkslides loaded and early exploration of using the MPP 5x4 view camera I took some direct positive paper alongside fp4 to Pegwell Bay harbor to make some photographs. I have started recording in detail every shot, however its format and readability is not something I will force you to endure.
So it is after some time I reflect and evaluate now that the paper is developed, I shot these on Wed 17/09.
The day was overcast, with little direct sunlight and no shadows. There was a low level fog which felt like a huge soft box, and it was murky to start and lifted progressively. A slight breeze made me realize that perhaps I need to ensure I have a heavier tripod in the future. I also need to write a detailed shot description because I no longer remember which image came from which dark slide and although I think I can remember I cannot be 100% positive.
The first image was an attempted re-make of a digital I had shot previously, however, because of the difference in lens angles I re-composed. I will, return with different lenses to explore the previous photograph. These particular structures are great subjects and can be photographed from many angles and make for interesting compositions, I think studying the light throughout the day will give a better understanding for pre-visualization.
Image 1. f32 | 4Seconds.
So it is after some time I reflect and evaluate now that the paper is developed, I shot these on Wed 17/09.
The day was overcast, with little direct sunlight and no shadows. There was a low level fog which felt like a huge soft box, and it was murky to start and lifted progressively. A slight breeze made me realize that perhaps I need to ensure I have a heavier tripod in the future. I also need to write a detailed shot description because I no longer remember which image came from which dark slide and although I think I can remember I cannot be 100% positive.
The first image was an attempted re-make of a digital I had shot previously, however, because of the difference in lens angles I re-composed. I will, return with different lenses to explore the previous photograph. These particular structures are great subjects and can be photographed from many angles and make for interesting compositions, I think studying the light throughout the day will give a better understanding for pre-visualization.
Image 1. f32 | 4Seconds.
In terms of exposure this was the most successful image from the days shooting, previously I have been trying to expose for the detail in the grass, this I think has the most texture and creates an interesting series of images. It is a tool which I employed in the pre-shoot digital images and something I wanted to continue. However, this is the only image where the paper could hold the dynamic range. Otherwise lots of the surrounding details has been lost, due to the limitations of the paper and also the environment from the day.
Image 2. f32 | 4Seconds
Image 2. f32 | 4Seconds
This image is successful in composition and has strong lines but is overexposed and needs re-visiting. I like the shapes and space.
Image 3. f42 | 8Seconds (sun came out)
Image 3. f42 | 8Seconds (sun came out)
Image 4. f32 | 4Seconds
The first time I shot at Pegwell Bay for this project at low tide and it opens up a different landscapes, this image looks down into the river and once the tide retracts you can see the old architecture from when the River was once an important harbor. This is something I plan on considering when taking pictures and exploring locations.
Image 5. Exposed for the grass. f32 | 12Seconds
Image 5. Exposed for the grass. f32 | 12Seconds
Image 6. Exposed for shadows in ditch. f22 | 8Seconds
Overexposed but the image looks to have potential, I like the leading line towards the smaller structures which break up the horizon. This is an image I plan on re-visiting and re-shooting soon.
The limitations of direct positive paper are vast and they prevent large prints, however there is a certain beauty and wonder around the individual one off print. And the instant print process, from research and practice I connect with processes where unique prints are made and although they present challenges and difficulties I feel if I can find and work with one for the benefit of the project I would like to accept the challenge. They add a magical and beautiful quality which can enhance the aesthetic and physical quality of the resulting photographs.
I have 2 images shot on film from this days visit, which I will develop with the next visits exposures.
The limitations of direct positive paper are vast and they prevent large prints, however there is a certain beauty and wonder around the individual one off print. And the instant print process, from research and practice I connect with processes where unique prints are made and although they present challenges and difficulties I feel if I can find and work with one for the benefit of the project I would like to accept the challenge. They add a magical and beautiful quality which can enhance the aesthetic and physical quality of the resulting photographs.
I have 2 images shot on film from this days visit, which I will develop with the next visits exposures.